Alison Drewett

At first glance, you might mistake Alison's vibrant, clean-cut landmarks for digital illustrations or crisp vector paintings. In reality, they are a labour of pure analogue patience. No paint, software, or digital printing is used.

Every sharp line, deep shadow, and geometric block is meticulously cut from the pages of discarded magazines using only a pair of scissors. Manipulating large blades to achieve such a seamless, graphical finish requires intense precision. 

Alison layers individual paper fragments to transform everyday publications into structured architectural geometry.